Soundcraft Vi2000
The latest addition to Soundcraft’s Vi range of digital live consoles, the new Vi2000 brings unparalleled mixing power to the live touring, install and corporate AV markets in a single-box, cost-effective package. The new console combines the unique Vistonics-based control surface concepts of the highly successful Vi3000, 5000 and 7000 consoles, with Soundcraft® SpiderCore – a powerful integrated DSP and IO engine based on STUDER technology and compact enough to reside inside the control surface itself.
- Description
- Technical Specification
- MEDIA
Description
Frequency Response – Stagebox Mic input to Line output         +0/-1dB, 20Hz-20kHz
AES/EBU In to AES/EBU Out      +0/-0.2dB, 20Hz-20kHz
THD+Noise        22Hz-22kHz
Stagebox Mic In (min gain) to Local Line Out     <0.003% @ 1kHz
Stagebox Mic In (max gain) to Local Line Out    <0.020% @ 1kHz
Local Line In to Line Out              <0.003% @ 1kHz
Mic Input E.I.N <-126dBu (150Ω source)
Residual Noise -91dBu Stagebox line output; no inputs routed, Mix fader @0dB
CMRR, Stagebox Mic input    80dB @ 1kHz
Sampling Frequency   48kHz
Latency: Stagebox Mic Input to Local Line output           < 2ms @48kHz
AES/EBU Input Sample Rate     32-108kHz (with SRC enabled)
DSP Resolution 40-bit floating point
Internal Clock Accuracy               < +/- 50ppm
Internal Clock Jitter       < +/- 2ns
External Sync   BNC Wordclock
Input & Output Levels – Mic Inputs        +28dBu max
Input & Output Levels – Line Inputs       +22dBu max
Input & Output Levels – Line Outputs   +22dBu max
Nominal Operating Level            +4dBu (-18dBFS)
Input & Output Impedances – Mic Inputs           2k7Ω
Input & Output Impedances – All other analogue Inputs             >10kΩ
Input & Output Impedances – Line Outputs      <75Ω
Input & Output Impedances – AES/EBU Outputs            110Ω
Control Surface
Input Faders     16
Output Faders 8 +3 (LRC masters) +1 (Monitor A/B)
Total Faders      28
3D Vistonics screens     3 (2 input, 1 master)
Fader bay operation     4x Fixed Input layers A/B/C/D giving 64 inputs on 16 fdrs.
Input channels can be assigned to Master bay for 24 input fdrs.
5x User layers 1-5
1x Busses 1-16 Layer plus screen assign 17-24, for 24 mono/stereo busses
VCA/A/B/C/D/E output/input fader pages, (A-E user definable)
Local I/O Physical connectors
Mic/Line Inputs              48, 32 or 16 configurable (max 3x 16ch out cards of 4 total) (Last 5 outs default to local monitors but can be repatched)
AES/EBU In       2 (=4ch) plus optional 16ch via Vista1 card (remove 2 mic or line out cards to fit).
AES/EBU Out    2 (=4ch) plus optional 16ch via Vista1 card (remove 2 mic or line out cards to fit).
TB Mic in            1 front panel, with rear-switched 48V.
Phones out       1 ste jack, under armrest
Optical MADI In/Out     1 (outputs paralleled with Dante interface).
Dante ports      1x 64ch in/out (2x Ethercon Pri/Sec).
Dante inputs are A/B switched with optical MADI.
D21m Option Slots         2 double/4single (total 128ch)
AES/EBU Input Sample Rate     32–108kHz (with SRC enabled)
Total number of simultaneous IO channels       246 inputs / 214 outputs
(assumes 48 mic in/16 line out config)
External Control Ports
Ethernet            1 (dedicated HiQnet / Realtime Rack control)
MIDIÂ Â Â Â Â 1 In, 1 Out
Other Ports
Mains Input      2, switched (redundant power supplies built in)
USB2.0 4 (2 front, 2 rear)
Wordclock         In /Out 2x BNC
DVI out               Reserved for future use
Gooseneck lamp 4-pin XLRÂ Â Â Â Â Â Â Â 2, for rear panel illumination
Stagebox           Optional, via MADI optical or Cat 5 option cards fitted to D21m expansion slots. Can connect up to 2 x 64ch Vi Stageboxes. Also compatible with Compact Stagebox and Mini Stagebox
